These two images appeared over at WAN on Nov. 16th in an article entitled “Masterplanning Mumbai“, detailing a masterplan project for?Bombay Boulevard, Mumbai, that was recently awarded to BDP.
Now, I’m not looking to discuss the project itself really. Rather, I’d like to know what people think about the two different rendering styles employed by the firm for this one proposal. After the comments received regarding the stunning Farnsworth House images created by Peter Guthrie [which can be seen here], I’m curious to know how people feel about these renderings – neither of which photorealism [obviously].
Also, what do people think about these digital models that look like physical models? By which I mean images that make no attempt at looking like photorealistic representations of the final product – but which instead look like simple scale models of a project.
Furthermore, if you can produce something as rich, dynamic, and detailed as the sketch above, is something in the style of the rendering below necessary?
The holes are lined up on a cross shape. The hole is made on the architecture like the perforated line. This architecture is “House with Crest”. A light that penetrates into the architecture always moves and never stays. It is a symbolic spectacle. A light that goes through the hole is projected in a circle shape, moves unlimitedly, and never stays. Occasionally, it disappears, and it appears.
For our second installment of Ninjas of the Month: Eastern Design we have the MON Factory/House 8 in Kyoto, Japan. Completed in 2007, the 260 m2 project houses both a workshop of a traditional craftsman and his family home.
The owner wanted a home that could accommodate his business – creating crests for traditional Japanese clothing – while keeping the living and work spaces distinct and separate. EASTERN’s solution was to raise the majority of the project off of street level, creating a parking area beneath the main structure of the building, with a storefront for the craftsman’s business on the street. The workspace is then directly above the shop, connecting the two spaces while making the actual workshop more private.
The second level – with the workshop and living spaces – is divided by two courtyards into it’s primary parts, namely the workshop, the living room / kitchen area, and the bedroom, by two small courtyard spaces. Essentially, hallways run along both sides of the house [around these courtyards, which don’t reach the perimeter of the building], connecting the various spaces. Get a better look at the plan in larger detail, here.
We “lift the one-storied house to the sky” to create calm interior space. It is lifted to 3m in the sky. The space under that is lent as a parking lot. The one-storied house lifted to the sky makes “two outside spaces placed among three inside spaces”. The wind and the light of nature gather from the sky into two outside void spaces. And that extends to three inside spaces.
The only break in the exterior concrete walls of the building come in the form of a series of circular ‘holes’ – which speak directly to the circular shape of the tradition crests being made in the workshop.
Two street side walls overlap on “Mise (show/shop)” space from right and left as like the breast of the Kimono. The “breast” interior becomes the shop space. The circular holes made for a cross shape becomes a pattern that decorates the wall as a crest. The kinds of crests reaches 7000. Any complicated crest pattern is formed from circle.
The workshop area and the living area are separated and also connected. The client and his daughter have such living style. The crest making is a delicate work and also a business work. It is quiet, and also busy. The drifting cloud is seen, and they finish working, and relax in the living room at the middle space.
The reflected light becomes an infinite line of light and extends into the darkness of twilight on both side window of the living room. And the dark becomes deeper. In this one-storied house lifted to the sky a night goes on like that.
Next week we’ll be back with the next installment of this current ‘Ninja(s) of the Month’ feature, looking into the work of EASTERN design.
I’m afraid that people don’t want the future to happen. In order for people to want this, each person has to have goals in their life, to feel proud. Work is one of the ways of achieving this. Unemployment is dangerous because then people don’t use their resources. Each individual has to be able to use their abilities.
[image: Map of threatened or arrested bloggers around the world – via]
Monday, Monday – time for another trip through the archi-blogosphere. Speaking of which, has anyone else noticed that the recession seems to be killing of content / sites? I feel like there was a time when there were more architecture + design themed sites than I could keep up with – and now, not so much the case. Not so important, I guess – because the ninjas are still here.
Anyways, moving along – if you see anything on the web that you believe should be linked-to from AMNP [as part of Ninjas on the ‘Net, or the news sidebar] feel free to drop me an email at firstname.lastname@example.org.
– lastly, don’t miss myninjaplease.com’s two newest features:A Dozen, and The Industry. Our ninja Kookiecrumbles has been hard at work interviewing artists and featuring their work as well as speaking to industry insider – coming up with some great content that should not be slept on.
“At TEDGlobal U, Cameron Sinclair shows the unreported cost of real estate megaprojects gone bust: thousands of migrant construction laborers left stranded and penniless. To his fellow architects, he says there is only one ethical response.”
A piece by Japanese designer Kazuhiro Yamanaka, the Sleepy Lagoon table provides an elegant storage solution by cantilevering the table-top on one side, revealing a colorful shelf.
And, it’s pretty ridiculously DOPE.
Year of Design: 2009
Design: Kazuhiro Yamanaka
Material: Corian(R), Rimex Ti Gold (Sputtered Stainless Steel), Steel (Matt grey powder Coated)
The flowing breeze slides down the surface of the water passing soundlessly.
If we open our minds to the endless surface of the water, which reflects the sky of daybreak, we may receive a message from nature telling us the constant activity of the universe,
The sleepy lagoon is designed to visualise the concept.
The area between the desk top and the curve can be utilised as a space for putting books, news papers, or clothes. A gentle curve is carefully chosen to be harmonized with breeze in the space or even music around the space.
This ninja right here would LOVE one of these – I mean, look how sexy this thing is! So just in case you’re looking to hook a ninja architecture blogger with some x-mas lovin’, think of this table.
I’m not normally one to get all geeked over some photorealistic architectural renderings [as many readers probably know at this point]. That’s mostly because I question their value in design, when compared to the effort/time/cost involved in producing them. But, when I see something like the work of Peter Guthrie I’m still taken aback by how incredibly real these renderings can be. I came across his work over at our ninja the Architectural Scholar’s site earlier this week.
Created during his free-time, these renderings of Mies van der Rohe’s Farnsworth House were generated from VRAY and a SketchUp model.
I’ll say that again – A SKETCHUP MODEL. Ridiculous.
Chinese companies have been caught illegally stretching steel re-bar, thus thinning the cross-section to unsafe diameters. Must be great when an earthquake hits. I mean, this is pretty terrible... (not that a US company wouldn't do the same)
Damn near everyone with an architecture blog that has been read by more than 5 people has been plagiarized - probably by another blog or site that is much larger and established. I won't name names of who has ripped off AMNP - but they were the kind of sites that could afford to pay me for my content, no doubt. Arch Record, however, has no qualms calling someone out...
The symbolism of the skyscraper has changed very little - if at all - since 9/11, argues LA Times architecture critic Christopher Hawthorne. I would contend that in terms of the WTC it has changed somewhat, but in no way for the better.
The September issue is Scientific American is devoted to cities - and has one of AMNP's favorite authors, William Gibson! I'm looking forward to the issue, but until then check out the features being released online - like this interview with the author of such novels as Neuromancer and Pattern Language.
Wow, I really hope to one day cool-out in a space hotel of some sort - but I hope that sometime in my lifetime they evolve into something iller / cheaper /need less training than what the Russians are planning. Still, this is pretty awesome - see what I'm talking about after the link.
I basically think that these Ayn Rand followers are a bunch of crazies (and assholes, to a certain extent), but I actually wish Peter Thiel luck and success in his creating man-made, floating independent nation states. Then all these libertarians can go read Atlas Shrugged in their own country and leave us the F alone.
While this article on Gaudi over at the Atlantic starts out with some typical BS about 'trends' in architecture in the 21st century (I don't think Gehry and the like are really 'trending', at least not as built projects), it is a nice little write up on Gaudi that reminds us he was ill.
AIA Consensus Construction Forecast is predicting continued declines in spending for non-residential and commercial projects through the end of the year, with a possible modest recovery in 2012. Super - we might maybe see a little bit of improvement - which will probably actually simply get us back to where we are now - sometime next year. Something to look forward to.
Eh, maybe - there certainly aren't people lining up to save them. My question remains 'should the suburbs be saved'? At least, should they be saved in their current form? They seem like mostly a failed experiment - areas that actually embody what the suburbs are supposedly about are usually considered 'urban' (or at least semi-urban). I'm thinking Dorchester (Boston), for instance, as it's where I'm typing this post...
Adobe is launching a preview of Edge - basically a tool allowing web designers to ditch Flash and move to an HTML 5 future. As much as I hate to agree with Steve Jobs being super evil, Flash is pretty terrible and has to go. Sure, it revolutionized the web in certain ways, but it's time is done - time for us to move on to something faster and less clunky. And something that actually functions properly on touch screens / handheld devices.
These ninjas were arrested for building an awesome monster - thing out of shipping pallets and skateboards on top of a Brooklyn warehouse? My ninjas, please - this is a sad sad world that we live in. And these guys are ninjas.
We've all known for a minute now that the architecture and sculpture of ancient Greece wasn't left as natural stone, but was painted in technicolor - and ultraviolet light is know giving us a better idea of just what these familiar ruins and works of art really looked like. Makes our copies of Ancient Greece's architecture look like they're in need of a paint job, no?
In this Sunday's Boston Globe Robert Campbell discusses aÂ new book tells how a Cambridge store spread modern design across America. The People's Republic would like to say "You're Welcome for all the dopeness". .:via->Boston.com
There is already an existing mosque less than a mile from Ground Zero - only 686 feet from the proposed Cordoba Center. Is this existing mosque insulting to the WTC site? Could Cordoba move the 686 feet and be okay? Oh no, wait - I'm trying to understand this from a rational standpoint, which is obviously naive of me...
Anyone else think that Santiago Calatrava's design for the redevelopment of the Denver International Airport's South Terminal is a little ridiculous looking? I mean, definitely not his best work. The interiors look fine, I suppose - very 'Calatrava goes to the airport' with the white trusses. But from what the renderings show the exterior isn't looking so hot...
I've been hating on fancy architectural renderings since before I even started AMNP - now people are asking if the actual buildings can ever live up to the photoshopped hype. For real? That we're so enamored with the imagery that we don't appreciate the final result suggests some pretty serious issues...