Yes â€“ Red Bull held a cliff diving competition in Boston last weekend, where the divers jumped into Boston harbor (really?) from a perch attached to the Diller Scofidio + Renfro designed Institute for Contemporary Art.
My ninjas, please. Ridiculous.
Ah – buildings for the Greenway! Thankfully the BSA is on top of things, and trying to push along planning for these empty spaces. Commercial properties? Ground floor retail? A building at Dewey Square? All the buildings ‘don’t have to be museums’? Brilliant – let’s hope we start to see some of these ideas unfold.
Putting an actual building at Dewey Square would be great – holding that space out front of South Station, and improving the streetscape along Summer Street. That, and I was just saying the other night while leaving the Fisherman’s Feast (in the North End) that what the Greenway seems to desperately need is a bar (really, more than one). It’s a strange scene there at night, with most people (it seems) just passing through the space – unless some special event is going on. I say dope little cafe by day, classy bar at night.
One thing I’m tired of hearing about is the scary shadows, blah blah blah. Sure, we need to be careful of blocking out the sun – but people have complained about tall buildings being suggested for the EAST of the Greenway. I’m not going to insult a ninjas intelligence and explain why that’s ridiculous – but c’mon son.
[images courtesy pinkcomma gallery]
Our ninjas over at pinkcommagallery in the Bean’s South End have announced the opening of there newest exhibit – which is really 2 shows in 1! The double feature – “Heroic” and “Publishing Practices” – opens next Friday, September 18th – starting off both the third fall season of the pinkcomma gallery, and the opening of the current South End Open Studios weekend [which I hope you Boston-based readers don’t sleep on].
“Heroic” explores the concrete structures that were instrumental in the remaking of Boston in the late 1950s, throughout the 1960s, and into the 1970s. Whole districts and vast infrastructural improvements appeared in a matter of years, fashioned from concrete to serve the needs of government, hospitals, universities, housing, and the financial sector. What were once hailed as heroic visions have now often become perceived as hubristic and brutal. The gallery has enlisted various experts to weigh in on the topic, including architect Michael McKinnell (Boston City Hall), architect Tad Stahl (the State Street Bank), historian Douglass Shand-Tucci, architectural materials specialist Kiel Moe, critic Michael Kubo, structural engineer Paul E. Kassabian, and young architects Christina Crawford (Utile, Inc.) and Eric Howeler (Howeler + Yoon Architecture). Coupled with the works represented visually in the show, these essays frame a series of provocative questions surrounding the heroic era and its powerful and controversial concrete architecture.
“Publishing Practices” investigates the history and influence of the architecture book as an operative device. Many of the most prominent architects of the last century have been equally prolific publishers who have seen the book as a strategic tool in the architect’s arsenal, deployed for its capacity to act independently of the constraints of other forms of architectural production. Guest curator Michael Kubo has surveyed over 150 architects and academics to gauge the impact of these and other publications within the field. Coupled with data from this survey, a graphic timeline of canonical architecture books in the past century reveals the history of publications as an alternative form of architectural practice, parallel to and frequently more agile than the production of work more typically labeled architectural.
Friday, September 18, 2009, 6:30 p.m. – 9:30 p.m.
September 18 through October 15, 2009
81B Wareham Street, Boston, Massachusetts 02118
We’ll see you there [don’t worry about ‘seeing’ us – we’re ninjas, after all].