â€œLiving in NYC is our biggest inspiration. Thereâ€™s constant construction and change on every corner. We embraced the idea of urban growth and saw it as something uncontrollable, having a mind of its own. Like a growing flower, a small town constructs larger buildings and becomes a flourishing city with skyscrapers for leaves, airport runways for petals, and airplanes for seeds. Our goal was to show that a city is like a living being, constantly growing, changing, and spreading.â€
Created by Anca Risca and Joji Tsuruga for their BFA thesis film at theÂ School of Visual Arts in New York, using Maya and Adobe Creative Suite.
I was simply going to link to this post over at Lebbeus Woods’ blog, UNDERGROUND BERLIN: the film?treatment, in the sidebar – but I was worried that people might not follow the link without seeing some of his sketches. That, and I really couldn’t help but put some of them up here on AMNP – I mean, they’re pretty dope.
Moving along – Woods recently posted a ‘treatment’ he wrote for a film that would be heavily influenced by architecture, with accompanying sketches. Here is the beginning of his explanation of the project:
UNDERGROUND BERLIN: the film treatment
What follows is a treatment (Hollywood slang for story synopsis) with sketches that I made for a projected film in which new forms of architecture – and the way of living they enable – would play a central role. This followed hard on the heels of my experience as a “conceptual architect” for the big-budget movie Alien3. Working on that project, I realized that set designers have no power over how their designs are used, and certainly no influence on the story or its social or ethical implications. So, I decided to write a screenplay that – contained in a melodrama – would project architecture as a vital instrument of social change.
These are just a few of the images Woods provides, and the others are worth checking out. That, and the bits of story he provides are also quite interesting – describing an architect disillusioned with ‘crass buildings for the corporate state’, a long lost brother and neo-nazi father, and a top-secret laboratory beneath the center of Berlin. Sounds pretty interesting to me…