Presented by SUSHISAMBA, Graffiti Gone Global is an exhibition planned as part of 2009 Art Basel Miami Beach – featuring a selection of work from “today’s top street artists”. The exhibit will run from December 4th through December 6th.
In an attempt to improve upon the typical white-walled gallery space, SUSHISAMBA has commissioned Miami-based architect HOX to design a Brazilian favela-inspired structure for the space – seen in the images here.
Now, from what I can tell HOX has no website [ridiculous, I know – these ninjas aren’t H&deM], so information is pretty limited on the installation being created – but I thought these images were promising. The stepping/terracing cubes and box-like forms, suspended in the space and pushing out into the exhibit, could be an interesting abstraction of the favelas – and for a dynamic addition to the exhibit.
All that said, HOX’s lack of internet presence has me thinking they might be imaginary…
Sustainable but beautiful: this is the goal I have pursued in all of my projects for years. South Face is the outcome of this constant quest for sustainable design that engages with actual production systems found on the market.
An installation designed by Iosa Ghini Associati for the 2009 Interni Design Energies, Milano, ‘South Face’ provides informal, sheltered seating for passers-by. Constructed of an insulated modular wall of hollow panels made from an eco-cement, the faÃ§adeÂ of the installation provides some thermal insulation for the small space it encloses – while using the south-facing faÃ§ade as a ‘vertical garden’, intended to absorb a limited amount of carbon dioxide from the local environment.
The designers make the argument that “sustainability is usually associated with sterile forms in which aesthetics are often overlooked”, and therefore their project aims to “create spectacular aesthetic effects, making sustainability both beautiful and feasible”. While I would say that many sustainable projects are both ‘green’ and ‘beautiful’ [obviously], I think that there remains a need to push this argument that projects aren’t ‘good’ simply because they’re ‘green’. I’m slightly concerned that while sustainability will survive the economic downturn and this apparent current trend against the ‘architecture of excess’, that this new trend isn’t appropriately concerned with aesthetic value. Cameron Sinclair isn’t Mies, arguing for a form-follows-function approach that lends itself to ‘beautiful’ design – rather, we’ve entered into a conversation seemingly built upon the idea that the aesthetics aren’t important, which seems to be little more than an excuse for bad design.
::images + quoted text provided by Iosa Ghini Associati::