To all our NYC ninjas:
As we’ve all heard, its been decided that the areas on Broadway from 47th to 42nd that were made pedestrian plazas will beÂ permanentlyÂ converted from streets to public space. While plans are being made for how this should be done, the city is looking for local artists/architects/designers/whoever to submit proposals for temporary surface treatments for all 5 plazas and ancillary spaces.
The final selected design shall be translated into a surface treatment by a contractor selected by the New York City Department of Transportation. The selected artist shall be awarded a design fee in the amount of $15,000 to be funded by the Mayorâ€™s Fund.
The design is expected to be installed by mid-July. The temporary treatment will remain in place for approximately eight months and will be monitored and maintained by the Times Square Alliance. The deadline to submit proposals is Friday, April 16, 2010. Questions and answers will be posted toÂ www.nyc.gov/dot. Details on how to submit questions are contained in the RFP.
The design competition is project of New York DOT in partnership with the Times Square Alliance.Â As Business Improvement District for Times Square and Broadway Theater District, the Alliance has conducted a number of studies regarding the pedestrian spaces of Times Square and produces public art projects and events.Â Information on these activities is available atÂ www.TimesSquareNYC.org.
Good luck people – AMNP will post the winners when they’re announced.
Barnard College’s Diana Center, a 98,000 SF multipurpose arts building designed by Weiss / Manfredi, has recently opened for use. The competition-winning design aims to transform the project from simply an art facility into a “social nexus”, creating new spaces for interaction and collaboration between the building’s users.
The 7-storey structure includes architecture and painting studios, a 500-seat performance space, black box theatre, cafe, dining room, reading room, classrooms, and exhibition galleries – all contained within facade of 1,154 clear and color-integral glass panels, intended to reference the brick and terra cotta used Â in the surrounding neighborhood.
The project’s most striking feature is a diagonal void carved through the building, creating double-heigh glass atria that connect the building’s interior with the surrounding campus and the city beyond – while also creating informal spaces for the interaction and collaboration mentioned above.
The public-space volume twisting out from the main structure, creating views and social interaction, etc, actually reminds me of Steven Holl’s Linked Hybrid (oddly enough).
::info + images provided by WEISS / MANFREDI::